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Rockin'_Art_Lewis



Joined: 23 Apr 2007
Posts: 119


Location: Gallup, NM.

PostPosted: Thu Sep 06, 2007 5:49 am    Post subject: Reply with quote

This evening it's another Goodwill find, from earlier today. Ron Frangipani's Orchestra, "Rated X** For Excitement".
Frangipani has some serious rock & roll cred, courtesy of John Lennon, The Stones, Janis Joplin, etc.
The album has a definite bachelor pad vibe. If you remember the phenomenon that happened during the early '70's with rock fans aging and wondering whether they were too old for the whole scene, you can figure out what type of audience this record was going for.
Too hip for Mom and Dad, but a little tame for those wild high school kids.
Some great covers of "Venus" (Shocking Blue, not Frankie Avalon!) "Something" and "Cherry Hill Park".
After spinning this for the first time, I Googled Frangipani. (Who's now teaching music in New Jersey.) Found his e-mail and sent him a fan letter.

Peace!

-R.A.L.
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Astrakhan



Joined: 20 Jun 2007
Posts: 135


Location: nowhere, man

PostPosted: Fri Sep 14, 2007 6:08 am    Post subject: Reply with quote

Presently, I am tucking into the new Pink Floyd Piper at the Gates of Dawn set, and revisiting some bootlegs from the period as well.
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Rockin'_Art_Lewis



Joined: 23 Apr 2007
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Location: Gallup, NM.

PostPosted: Mon Oct 01, 2007 6:33 pm    Post subject: Reply with quote

The Zombies article on Perfect Sound Forever, had me reaching for "The Best Of The Zombies" on Music Club (MCCD 002)
Hadn't listened to this disc in ages, but Man, this is great stuff.
"I Don't Want To Know" is a lost classic! Very Beatlesque compared to their other material, with an incredibly good groove to it.
Very few "clunkers" on the disc, with a good amount of album tracks to illustrate the group's versatility.
Nice to find a cheapie comp that's this well done. Very Happy

Peace!

R.A.L.
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Joe_Stax



Joined: 23 Jul 2006
Posts: 354


Location: deep inside your radio

PostPosted: Tue Oct 02, 2007 2:13 am    Post subject: Reply with quote

Great pick from the Zombies, Raucous Art--they're by far one of the most overlooked bands of the 60's. Almost all of their originals are good, and most are excellent. I'm a little less thrilled by the early covers like Roadrunner; the Zombies had such a sound uniquely their own, that other people's songs always come off a little awkwardly (at least to my ears).
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Joe_Stax



Joined: 23 Jul 2006
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Location: deep inside your radio

PostPosted: Tue Oct 02, 2007 2:19 am    Post subject: Reply with quote

Tonight I'm digging deep into the Mekons. A little outside of my bailiwick, sure, but I got to see them last night (9/30) and they were INCREDIBLE!

So, this evening's music is the new album, Natural. The Mekons have been a lot of things over the years--punk, post-punk, avant, twisted country, punky reggae, pop, and now, at least for this record and tour, their sound is a kind of acoustic English roots sound.

It's an excellent album, and well worth exploring. A tip of the Stax chapeau to JG Sweeney for inviting me to the show and tuning me in to the Mekons.
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Astrakhan



Joined: 20 Jun 2007
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PostPosted: Tue Oct 02, 2007 4:26 am    Post subject: Reply with quote

Presently, I'm enjoying some late period Gene Clark. In 1986, he recorded an excellent country rock album with singer Carla Olson. It's a fine mix of original songs and well chosen covers, titled So Rebellious A Lover.

It's the only album the duo made, and Gene Clark's last recording. Which adds a certain sad beauty to a fine album.
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Last edited by Astrakhan on Tue Oct 02, 2007 5:12 am; edited 1 time in total
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Joe_Stax



Joined: 23 Jul 2006
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Location: deep inside your radio

PostPosted: Tue Oct 02, 2007 5:02 am    Post subject: Reply with quote

Hey! I have that one, too. It is a great record. It's a shame Gene Clark never got his due while he was alive. Since his passing, everybody's his friend...

I remember reading a really snotty review of the album in Creem way back then. The particulars are hazy, but I think their opinion was that it was only so-so at best. The clearest thing I remember was that they cut on Gene's vocal on the song Del Gato by calling him Del Pee-Pee. Even in my callow youth, I thought that was out of line. I mean, Gene Clark! The writer of all of the best originals for the Byrds!

Still, it would be few years before I heard the album properly, thanks to a cassette copy a friend gave me. It's too bad that there was never a follow up.
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Rockin'_Art_Lewis



Joined: 23 Apr 2007
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Location: Gallup, NM.

PostPosted: Tue Oct 02, 2007 4:55 pm    Post subject: Reply with quote

Raucous Art?! I love it! Laughing
Muchas Gracias Senor Stax!

Peace!

R.A.L.
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Joe_Stax



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PostPosted: Sun Oct 07, 2007 2:11 am    Post subject: Reply with quote

For the last couple of days, I've been in a psychedelic mood...Tomorrow has been in heavy rotation, along with the Rainbow Ffolly Sallies Fforth by...the Rainbow Ffolly.

If I didn't know for a fact that the RFf album came out in 1968, I'd swear that this was some post-moderne retro-psych artifact, like the stuff by the Dukes of Stratosphear (alias XTC). Get this: all of the songs on the album are linked by little spoken word interludes, mixed with snatches of what sounds like random radio shows. And I'm telling you, right after the first track, She's Alright, I think I heard a bit of George Carlin doing his hippy dippy weatherman bit!

How hip is that?!
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Astrakhan



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PostPosted: Sun Oct 07, 2007 2:25 am    Post subject: Reply with quote

Quote:
It's a shame Gene Clark never got his due while he was alive. Since his passing, everybody's his friend...


I think I understand where you're coming from, Joe. Certainly since his passing, there has been no shortage of breastbeating from his former bandmates, McGuinn and Crosby. In numerous interviews, they're only too ready to admit that they might have been a little hard on Gene Clark, and played a part in pushing him out of the Byrds.

Regrettable, really. Now they can say how much they really liked the man, and that their behaviour toward him was driven by their own callow youth and insecurity.

In some ways, it's like the situation with Brian Jones and the Rolling Stones--both Gene Clark and Brian Jones were founding members of their bands, and certainly played an important part in the sound and direction of the group. Each succumbed to inter-group politics, and ended up being marginalized before their forced departure.

At least Gene Clark was able to leave a fine legacy of solo material, even if he didn't have any commercial success.



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